Gothic Violence

Product Information

The 1880s saw the revival of the Gothic as a powerful literary form allied to fin de siecle, which fictionalized contemporary fears like ethical degeneration and questioned the social structures of the time. Classic works of this Urban Gothic include Robert Louis Stevenson's Strange Case of Dr. Jekyll and Mr. Hyde (1886), Oscar Wilde's The Picture of Dorian Gray (1891), George du Maurier's Trilby (1894), Richard Marsh's The Beetle (1897), Henry James' The Turn of the Screw (1898), and the stories of Arthur Machen. a b c d e f Foster, Thomas C. (2003). How to Read Literature Like a Professor. New York: Harper. pp.51–55. ISBN 0-06-000942-X.

Gothic Violence by Mike Ma | Goodreads

The 1960s Gothic television series Dark Shadows borrowed liberally from Gothic traditions, with elements like haunted mansions, vampires, witches, doomed romances, werewolves, obsession, and madness. Various video games feature Gothic horror themes and plots. The Castlevania series typically involves a hero of the Belmont lineage exploring a dark, old castle, fighting vampires, werewolves, Frankenstein's Creature, and other Gothic monster staples, culminating in a battle against Dracula himself. Others, such as Ghosts 'n Goblins, feature a camper parody of Gothic fiction. 2017's Resident Evil 7: Biohazard, a Southern Gothic reboot to the survival horror video game involves an everyman and his wife trapped in a derelict plantation and mansion owned by a family with sinister and hideous secrets and must face terrifying visions of a ghostly mutant in the shape of a little girl. This was followed by 2021's Resident Evil Village, a Gothic horror sequel focusing on an action hero searching for his kidnapped daughter in a mysterious Eastern European village under the control of a bizarre religious cult inhabited by werewolves, vampires, ghosts, shapeshifters, and other monsters. The Devil May Cry series stands as an equally parodic and self-serious franchise, following the escapades, stunts and mishaps of series protagonist Dante as he explores dingy demonic castles, ancient occult monuments and ruined urban landscapes on his quest to avenge his mother and brother. Gothic literary themes appear all throughout the story, such as how the past physically creeps into the ambiguously modern setting, recurrent imagery of doubles (notably regarding Dante and his twin brother), and the persisting melodramas associated with Dante's father's fame, absence, and demonic heritage. Beginning with Devil May Cry 3: Dante's Awakening, Female Gothic elements enter the series as deuteragonist Lady works through her own revenge plot against her murderous father, with the oppressive and consistent emotional and physical abuse instigated by a patriarchal figure serving as a heavy, understated counterweight to the extravagance of the rest of the story. Finally, Bloodborne takes place in the decaying Gothic city of Yharnam, where the player must face werewolves, shambling mutants, vampires, witches, and numerous other Gothic staple creatures. However, the game takes a marked turn midway shifting from gothic to Lovecraftian horror. From the castles, dungeons, forests, and hidden passages of the Gothic novel genre emerged female Gothic. Guided by the works of authors such as Ann Radcliffe, Mary Shelley, and Charlotte Brontë, the female Gothic allowed women's societal and sexual desires to be introduced. In many respects, the novel's intended reader of the time was the woman who, even as she enjoyed such novels, felt she had to "[lay] down her book with affected indifference, or momentary shame," [11] according to Jane Austen. The Gothic novel shaped its form for woman readers to "turn to Gothic romances to find support for their own mixed feelings." [12]

Browse

Fall of the House of Usher, The (i)", Oxford Music Online, Oxford University Press, 2002, doi: 10.1093/gmo/9781561592630.article.o901543 , retrieved 2022-04-19 Illustration of the Trojan War from Homer's Iliad, largely regarded as one of the most violent literary texts

Gothic: Violence, Trauma, and the Ethical — University of Bristol Gothic: Violence, Trauma, and the Ethical — University of Bristol

Cairney, Christopher (1995). The Villain Character in the Puritan World (PhD dissertation). Columbia: University of Missouri. ProQuest 2152179598 . Retrieved 20 November 2017. Contemporary American writers in the tradition include Joyce Carol Oates in such novels as Bellefleur, A Bloodsmoor Romance, and short story collections Night-Side (Skarda 1986b) and Raymond Kennedy in his novel Lulu Incognito. [92]

All aspects of pre-Gothic literature occur to some degree in the Gothic, but even taken together, they still fall short of true Gothic. [21] What needed to be added was an aesthetic to tie the elements together. Bloom notes that this aesthetic must take the form of a theoretical or philosophical core, which is necessary to "sav[e] the best tales from becoming mere anecdote or incoherent sensationalism." [23] In this case, the aesthetic needed to be emotional, and was finally provided by Edmund Burke's 1757 work, A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful, which "finally codif[ied] the gothic emotional experience." [24] Specifically, Burke's thoughts on the Sublime, Terror, and Obscurity were most applicable. These sections can be summarized thus: the Sublime is that which is or produces the "strongest emotion which the mind is capable of feeling"; Terror most often evoked the Sublime; and to cause Terror, we need some amount of Obscurity – we can't know everything about that which is inducing Terror – or else "a great deal of the apprehension vanishes"; Obscurity is necessary to experience the Terror of the unknown. [21] Bloom asserts that Burke's descriptive vocabulary was essential to the Romantic works that eventually informed the Gothic. Irish Catholics also wrote Gothic fiction in the 19th century. Although some Anglo-Irish dominated and defined the subgenre decades later, they did not own it. Irish Catholic Gothic writers included Gerald Griffin, James Clarence Mangan, and John and Michael Banim. William Carleton was a notable Gothic writer, and converted from Catholicism to Anglicanism. [64] a b c d e Birch, Dinah, ed. (2009). "Gothic fiction". The Oxford Companion to English Literature (7thed.). Oxford University Press. ISBN 9780191735066. a b "Reading Frankenstein", Shelley’s Frankenstein, Bloomsbury Academic, 2008, doi: 10.5040/9781474211512.ch-003, ISBN 978-0-8264-9524-2 , retrieved 2022-04-19 Bloom, Clive (2007), Gothic Horror: A Guide for Students and Readers, Basingstoke: Palgrave Macmillan

Is Harassment Architecture by Mike Ma any good beyond far

Clery, E. J. (1995). The Rise of Supernatural Fiction, 1762-1800. Cambridge: Cambridge University Press. ISBN 978-0-511-51899-7. OCLC 776946868. Walpole, Horace (2021). The Castle of Otranto. Duke Classics. ISBN 978-1-62011-221-2. OCLC 1285939332. The plays of William Shakespeare, in particular, were a crucial reference point for early Gothic writers, in both an effort to bring credibility to their works, and legitimize the emerging genre as serious literature to the public. [15] Tragedies such as Hamlet, Macbeth, King Lear, Romeo and Juliet, and Richard III, with plots revolving around the supernatural, revenge, murder, ghosts, witchcraft, and omens, written in dramatic pathos, and set in medieval castles, were a huge influence upon early Gothic authors, who frequently quote, and make allusions to Shakespeare's works. [16] De Vore, David. "The Gothic Novel". Archived from the original on 13 March 2011. The setting is greatly influential in Gothic novels. It not only evokes the atmosphere of horror and dread, but also portrays the deterioration of its world. The decaying, ruined scenery implies that at one time there was a thriving world. At one time the abbey, castle, or landscape was something treasured and appreciated. Now, all that lasts is the decaying shell of a once thriving dwelling. The components that would eventually combine into Gothic literature had a rich history by the time Walpole presented a fictitious medieval manuscript in The Castle of Otranto in 1764.Punter, David (1980). "Later American Gothic". The Literature of Terror: A History of Gothic Fictions from 1765 to the Present Day. United Kingdom: Longmans. pp.268–290. ISBN 9780582489219. Bécquer es el escritor más leído después de Cervantes". La Provincia. Diario de las Palmas (in Spanish). 28 July 2011 . Retrieved 22 February 2018. Villiers, Gerda de (2020). "Suffering in the Epic of Gilgamesh". Old Testament Essays. 33 (3): 690–705. doi: 10.17159/2312-3621/2020/v33n3a19. ISSN 1010-9919. S2CID 236855025.

Gothic Violence Mike Ma : Mike Ma : Free Download, Borrow

Hillard, Tom. "'Deep Into That Darkness Peering': An Essay on Gothic Nature". Interdisciplinary Studies in Literature and Environment, 16 (4), 2009. Gothic fiction and Modernism influenced each other. This is often evident in detective fiction, horror fiction, and science fiction, but the influence of the Gothic can also be seen in the high literary Modernism of the 20th century. Oscar Wilde's The Picture of Dorian Gray (1890) initiated a re-working of older literary forms and myths that became common in the work of Yeats, Eliot, and Joyce, among others. [81] In Joyce's Ulysses (1922), the living are transformed into ghosts, which points to an Ireland in stasis at the time and a history of cyclical trauma from the Great Famine in the 1840s through to the current moment in the text. [82] The way Ulysses uses Gothic tropes such as ghosts and hauntings while removing the supernatural elements of 19th-century Gothic fiction indicates a general form of modernist Gothic writing in the first half of the 20th century.Wide Open Fear: Australian Horror and Gothic Fiction". This Is Horror. 10 January 2013 . Retrieved 26 July 2020. Killeen, Jarlath (31 January 2014). The Emergence of Irish Gothic Fiction. Edinburgh University Press. p.51. doi: 10.3366/edinburgh/9780748690800.001.0001. ISBN 978-0-7486-9080-0. S2CID 192770214. Main article: Eighteenth-century Gothic novel Ann Radcliffe's The Mysteries of Udolpho (1794), a bestselling Gothic novel. Frontispiece to 4th edition shown. Popular tabletop card game Magic: The Gathering, known for its parallel universe consisting of "planes," features the plane known as Innistrad. Its general aesthetic is based on northeast European Gothic horror. Innistard's common residents include cultists, ghosts, vampires, werewolves, and zombies.